This book was the Good Morning America (GMA) choice for April, 2026.
*****
Right up front, Natalie Heller Mills will tell you she's a good Christian woman. (And tell you and tell you and tell you.)
In Natalie's view, this means things like:
She
would be a mother, be a wife, and keep the household clean, and not
forget to smile. In other words, "the mother every woman wanted to be,
and the wife every man wanted to come home to."
She would live on
a farm, where she would "bake another loaf of bread, and then maybe
wash the floors, and then start preparations for dinner, and then
scatter more feed across the [chicken] coop, and then check the
chickens' feet and feathers for any sort of disease...", etc.
She would be a crisis manager for her good Christian husband.
She would pooh pooh her luxuries to other people.
She
would homeschool her children, because in public school they teach
children that "being a Christian is a terrible thing; that gender is a
construct and that marriage is some destructive force; they teach little
White children to feel guilty about the fact that our country used to
have slaves..." and so on.
She would never ever get a divorce. In
the world Natalie comes from, divorce leads to a lifetime of
destitution and misery followed by an eternity in hell. "You didn't
leave your husband if he slapped you in the face, or had an affair, or
set you up on a weekly allowance so sparse that you snapped at your
children when they spilled a glass of milk, and you certainly didn't
leave your husband if he was just some dumb rich guy." Which,
unfortunately, Natalie's husband is.
*****
As a freshman
at Harvard, Natalie meets upperclassman Caleb Mills (who's only at
Harvard because he's a legacy), and they marry quickly.
Caleb comes from a wealthy, conservative family, and he has no skills, no ambition, no job....and no intention of getting one. 
After
a time, Natalie gets an inspiration. She and Caleb will live on an
Idaho farm named Yesteryear Ranch, where they can raise their children
and practice good Christian values. As a bonus, Caleb can think he's a
farmer.
Caleb's
father Doug Mills, a Republican senator who's planning to run for
President, helps finance the farm venture, largely because a lazybones
son like Caleb would look bad to the public. Doug stipulates, though,
that Natalie and Caleb must have lots of babies.
Almost
by chance, Yesteryear Ranch becomes a social media sensation, with
Natalie as the 'tradwife' (traditional wife) and Caleb working the farm.
Natalie's Instagram posts show a conservative rural family, with
Natalie baking bread; sharing her cooking tips; demonstrating recipes;
touting the benefits of raw milk; churning milk to make butter; taking
care of the children; saying 'good morning ladies' to the chickens
before she gathers the eggs; and so on. 
The
social media posts have Caleb milking a cow; driving a John Deere
tractor in the pasture; staying up all night with a laboring sow;
growing organic vegetables; selling meat, cheese and organic exotic
vegetables at the farmer's market; the whole shebang.
Yesteryear
Ranch is a real moneymaker. Natalie hawks all manner of merchandise,
like sweatshirts, snow globes, and bread-making kits, with the 'Made in
China' labels removed of course. 
However,
Yesterday Ranch is COMPLETELY PHONY. The modern appliances are
cunningly hidden away; there are two nannies/teachers for Natalie and
Caleb's large brood of children; the youngsters are homeschooled using a
'Christian curriculum'; there are ranch hands doing all the real
farmwork; the pesticides and herbicides are kept out of sight; and (of
course) all the employees are NEVER in Natalie's Instagram posts.

In addition, there's a media-savvy 21-year-old producer called Shannon, who coordinates all the photo shoots. 
Like
any social media sensation, Natalie has followers who love her, and
people who hate her. And Natalie IS TERRIFIED of being exposed as a
phony. When Natalie runs into an old acquaintance named Vanessa at
Target, Natalie immediately gets paranoid.
For
no good reason, Natalie thinks, "I knew this woman got embarrassingly
drunk at family parties and pulled up my Instagram page, showing anyone
stupid enough to walk past that she knew this woman personally...before
launching into some recycled slur of a speech about how all traditional
people are idiots, all religious people are idiots, all people who
choose to live a different lifestyle than hers are idiots, when what she
really wanted to say was 'I am so nauseatingly jealous of this woman I
used to know that I think it might actually kill me.' Natalie claims to
think of herself as a woman of principles; defined by principles, but
it's clear she protests too much. 
In
any case, a crisis erupts at Yesteryear Ranch when Natalie's producer
Shannon claims Caleb sexually assaulted her. Natalie consults God; tries
to think of ways to brush the incident under the carpet; and generally
gets frazzled.
The next thing Natalie knows, she wakes up in
1855, shivering under a stiff thin quilt. Her phone isn't on the bedside
table; the frigid, knotted. lumpy floor isn't her Brazilian-imported
hardwood; there are no overhead lights in the kitchen, and the (formerly
nonfunctional) fireplace is the only light in the room. 
Natalie
can't take it in: This is her house, but it isn't her house; these are
her children, but they aren't her children; Caleb is her husband, but he
isn't her husband. It's like the Twilight Zone. For a time, Natalie
thinks it's a trick: a reality show in which she's being secretly
filmed. But the situation goes on; things get worse; and Natalie's life
continues in the past.
Of course the reader speculates about what's going on, and some clues pop up. To say more would be a spoiler.
I
may be an outlier, but I have problems with this book. Natalie SEEMS to
be sincere in her devout Christian beliefs, but her sermonizing becomes
intolerable and she has no empathy. For instance, Natalie's sister
Abigail is married to Bryce, a pimple-faced corn dog of a man with a bad
temper, and they have four children with a fifth on the way. Natalie
knows Bryce is mean, dumb, drinks too much, calls Abigail names in front
of the children, hits her, is lazy, has never done anything with his
shop, and is and has always been a loser. But when Abigail tells Natalie
she's divorcing Bryce, Natalie is horrified.
Natalie
gets hot under the collar and tells Abigail, "You will be a single
mother of five living on food stamps...Have you thought about where
you'll live?...Do you know what it takes to apply for an apartment?...Do
you honestly think the rules don't apply to you? That you can just
waltz away from your responsibilities completely unscathed? Bryce will
be remarried within a year and then he and his new bride will fight for
the children just to spite you...He'll say you're a cruel mother, a
drunk, and the judge will agree with him, and before long you'll be
seeing your children every other Saturday"....and on and on. Not one
nice word or offer of sympathy! In fact there's no one to root for in
this novel, except Natalie and Caleb's daughter Mary, who has a lot to
deal with.
In
the final analysis, I was intrigued by the 'going back to 1855 premise'
and was curious to find out what happened at the climax. That said, I
didn't find the story believable and wouldn't choose it for book of the
month.
Thanks to Netgalley, Caro Claire Burke, and Knopf for an ARC of the book.
Rating: 3 stars






































