In this 3rd book in the 'Susan Ryeland' series, the literary editor deals with a troubled author and his family. The series is best read in order to avoid spoilers.
Each book in this series is a 'mystery within a mystery'. That is, Susan must resolve a fictional crime that has a connection to a real-life incident.
*****
For years, Susan Ryeland was an editor with London's 'Cloverleaf Books', where she worked with Alan Conway on his best-selling Atticus Pünd mystery series.
When Conway died, the series ended, and Susan moved to Crete with her boyfriend to open a hotel. Crete was too quiet for Susan, and she's now back in London, looking for work.
As it happens, the Atticus Pünd series is being revived. Michael Flynn, publisher of 'Causton Books', bought the rights, and hired Eliot Crace to pen the next book and Susan to edit.
All the Atticus Pünd books include codes, allusions, jests, anagrams, acronyms, and Easter Eggs, and Eliot is following that trend. Eliot is calling his book 'Pünd's Last Case' and has finished about half the novel so far. In a nutshell, the new story goes like this:
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It's 1955, and Atticus Pünd runs into a wealthy acquaintance, Lady Margaret Chalfont, at a London medical clinic.
Lady Margaret is troubled about something she overheard, and asks Pünd to come to her summer home, Chateau Belmar on the Côte d’Azur, to look into the matter.
Pünd and his assistant James Fraser, whose French is amusingly sketchy, make the trip to the Chateau Belmar, but they're too late. Lady Margaret is dead, poisoned with aconite.
A French Sûreté officer, Frédéric Voltaire - who has war injuries - arrives to investigate, and enlists the help of Atticus Pünd.
Voltaire and Pünd learn that Lady Margaret's entire family is in residence at Chateau Belmar. This includes her son Jeffrey with his wife Lola; her daughter Judith with her husband Harry.....
......and her second husband Elmer Waysmith and his son Robert, who work together as art dealers.
Each member of the younger generation needs money for some reason - such as gambling, making an investment, or doing research - and they all become suspects for Lady Margaret's murder. Lady Margaret's husband Elmer isn't off the hook either. Elmer is suspected of buying paintings stolen by the Nazis, which Lady Margaret would abhor.
In any case, Lady Margaret made an appointment with her lawyer, which may have precipitated her homicide.
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After reading Eliot Crace's unfinished manuscript, Susan meets with Eliot to discuss the story. Susan realizes Eliot has a problem with drugs and alcohol; is estranged from most of his family; and seems like a troubled soul.
Susan also discovers that 'Pünd's Last Case' has parallels with the real-life Crace family. Two decades ago, Eliot Crace's grandmother, Miriam Crace, died suddenly.
Both fictional Lady Margaret and real-life Miriam Crace can be described as wealthy women who lived on large estates with their extended families. Fictional Lady Margaret was poisoned and Miriam's death was attributed to a heart attack.....but was it‽‽
Susan suspects Eliot may "know something" and might plan to expose the truth in his book. Susan considers it her responsibility as the novel's editor to look into the matter.
Thus we learn that Miriam Crace, a children's book author, wrote the 'Little People' series. The 'Little People' became a worldwide phenomenon, and inspired graphic novels, a cartoon series, a hugely popular musical, three feature films, a ride at Universal Studios and a vast array of merchandise.
Miriam bought Marble Hall Manor.....
.......and resided there with all her children and grandchildren.
Susan notes that 'Marble' is an anagram for Lady Margaret's summer home 'Belmar', and the names of characters in 'Pünd's Last Case' are anagrams for people in Miriam's family. To investigate further, Susan visits Marble Hall Manor, which is now a tourist destination, and speaks to some of Miriam's children and grandchildren.
Susan learns Miriam, who was beloved by the public, was hated by her family. Miriam was cruel and sarcastic, and kept her progeny under her thumb by controlling the purse strings. Miriam's now grown grandchildren - Roland, Julia, and Eliot - admit they had a plot to kill their grandmother with poison, but insist it was just a childish scheme.
The growing hubbub surrounding 'Pünd's Last Case' results in a further tragedy, and Susan herself becomes a murder suspect, as has happened previously.
There's a tangential storyline connected to previous novels in the series, so 'nuff said' - to avoid spoilers for newbies who plan to read all the books.
In the end, 'Pünd's Last Case' is solved, and the truth about Miriam Crace's death is exposed. To be fair, author Anthony Horowitz drops lots of clues, some of which I twigged, but some of which were buried too deeply for me. (Other armchair sleuths may do better.)
I enjoyed the book, and Horowitz put A LOT of work into his brainteasers, but the book's premise seems unlikely. Susan is a book editor, not a detective, and she's overzealous about investigating Eliot's family history. I kept thinking, "I wouldn't answer this nosybody's questions, I'd throw her out." That said, the book is a nice homage to 'Golden Age' mysteries and should appeal to fans of the genre.
Rating: 3.5 stars


















